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Dead Men Walk (1. Filmed on what looks like a budget of $1. Dead Men Walk has its own seedy charm, and is one of the most entertaining of the PRC horror quickies. The incomparable George Zucco plays a dual role, as village doctor Lloyd Clayton and his brother Elwyn, also a doctor. When Lloyd murders Elwyn, the latter returns from the dead as a vampire, with the help of hunchbacked assistant Zolarr (welcome back, Dwight Frye!) Elwyn goes on a killing spree, for which Lloyd is held responsible. A lynching is averted when heroine Gayle (Mary Carlisle) and hero Dr. Bentley (future screenwriter Nedrick Young) prove that the dead Elwyn is the guilty party. Tuesday September, 1. AMFilms in BOLD will Air on TCM * |. VIEW TCMDb ENTRY. For decades Dead Men Walk (1. Public Domain video compilations, and has long been a tolerated "also ran" of classic horror film aficionados. Produced by PRC (aka Producers Releasing Corporation), the film suffers from the lumbering pace typical of Poverty Row films of the era; it clocks in at just over an hour in length but feels longer. Unlike many other low- budget shockers of the 1. Dead Men Walk delivers a morbid, supernatural story rather than a watered- down mystery, and manages some creepily atmospheric photography and settings for its budget. It is also fondly remembered for performances by two well- regarded figures from the horror genre: George Zucco and Dwight Frye. The script by Fred Myton clearly borrows heavily from Bram Stoker's novel Dracula as well as Universal Pictures' wildly popular 1. Bela Lugosi. The interesting twist added to the premise is the notion of having the vampire and the vampire- hunter linked by birth as twins. Good vs. Evil tensions lend a Jekyll and Hyde aspect to the story as well. In a pre- credits sequence, we see a hand grab a book called History of Vampires and throw it in a fireplace. Dead Men Walk 1943. Mar 7, 2017 03/17. by projetorantigo.blogspot. movies. City of the Dead (Horror Hotel) Aug 26, 2015 08/15. movies. eye 400. Hey guys, here is the newest fanfic made by me. Introducing Dead Men Walk Again. This one was born from the Night Raid's Dead Raid fanfic. I will have to admit, this. Home page of DEAD MEN WALKING, a rock group from worldwide. Step inside the Soundtrack of a generation. Acoustic & Live - Songs & Stories. Overview of Dead Men Walk, 1943, directed by Sam Newfield, with George Zucco, Mary Carlisle, Nedrick Young, at Turner Classic Movies. · After seeing "Dead Man Walking," I paused outside the screening to jot a final line on my notes: "This film ennobles filmmaking." That is exactly what it does. Dead Men Walk is a 1943 US horror film produced by Sigmund Neufeld for Producers Releasing Corporation (PRC). It is an original story and screenplay by Fred Myton. Dr. Lloyd Clayton (George Zucco) attends the funeral of his twin brother Elwyn (Zucco in a dual role), a diabolical sorcerer, after murdering him in a desp. This painfully cheap but wildly entertaining PRC production stars a hammy George Zucco in a dual role as the Clayton Twins -- both doctors, one good, one evil. A disembodied head with spooky lighting is superimposed as it intones lines like, "You creatures of the light - how can you say with certainty what does or does not dwell within the limitless ocean of the night?" Such an introduction to "disbelievers" must have seemed quite corny to wartime viewers, a throwback to the early 1. Universal Pictures felt was necessary in Frankenstein (1. One would think that audience members knew what they were getting into with a picture bearing a title like Dead Men Walk! The credits are followed by a small- town funeral service, at which Dr. Lloyd Clayton (George Zucco) rises at the invitation of the minister to view the body of his brother, Elwyn Clayton (also Zucco). Dead Men Walking Zombie MovieThe town spinster, Kate (Fern Emmett), intrudes on the service and yells, "How can you defile this sacred house with the body of that evil man - that servant of the Devil?" Indeed, Elwyn practiced ancient sorcery and demonology, as Dr. Clayton explains to his niece Gayle (Mary Carlisle) and her fiancé, Dr. David Bently (Nedrick Young). As Lloyd burns his brother's papers, Elwyn's twisted servant Zolarr (Dwight Frye) tries to stop him and tells the Doctor that he knows his Master's death (via an off- screen plunge from a cliff) was not accidental, but deliberate murder. Later, Lloyd is even more shocked by the appearance of Elwyn himself, revived by Black Magic and now a vampire. You'll know that I am no intangible figment of your imagination when you feel the weight of my hatred," Elwyn snarls, "Your life will be a torment - I'll strip you of everything you hold dear." Elwyn plans to drain the life from Gayle and Dr. Clayton is stymied in his attempts at vampire- hunting when David accuses him of local murders and gathers the townsfolk against him. Dead Men Walk awkwardly plays with vampire lore; it is difficult to imagine, for example, why regeneration by Black Magic would result in blood- sucking as a side effect of becoming undead. George Zucco convinces as two separate but related personalities, although his Elwyn comes off better as a twisted sorcerer than as a Dracula- like figure. His performance is also undercut by the haste with which these Poverty Row quickies were shot; in both of the scenes in which Elwyn rises from his coffin, Zucco visibly struggles to get to his feet, something no self- respecting vampire should ever do. In addition to a lack of retakes, the low budget of the film takes its toll on the music score by Leo Erdody. There are a few original cues consisting of an odd mix of violin, flute and organ, but they are reused to the point of tedium and often during inappropriate scenes. Dead Men Walk was the final film appearance of female lead Mary Carlisle. The blonde, blue- eyed Carlisle started in films in 1. WAMPAS Baby Star in 1. MGM films, including Grand Hotel (1. She graduated to leading roles at studios such as Paramount, RKO and Columbia, and made a particular mark as the straight romantic interest or dutiful daughter in comedies such as College Humor (1. Jack Oakie, Handy Andy (1. Will Rogers, Kentucky Kernels (1. Wheeler and Woolsey, and It's in the Air (1. Jack Benny. Her career did not progress in the direction she wanted, however, and by the early 1. Carlisle found herself at low- budget studios like PRC and Republic Pictures. She retired shortly after marrying actor James Blakeley, who went on to become a production executive at Twentieth- Century Fox Television. In an interview (in Filmfax magazine No. August 1. 98. 9), Carlisle discussed the differences between PRC and the major studios: "There was little time for lighting and rehearsing. Everything was different. On an A picture, a designer designs the wardrobe. At PRC, we'd go to wardrobe and pick out something that had already been worn two or three times on other pictures. It was the difference between a Rolls Royce and a Ford. We'd shoot a picture at PRC in anywhere from ten days to two weeks. They were quickie B's." Carlisle added, "I do remember that George Zucco couldn't have been nicer."The stage- trained George Zucco had become largely typecast as a mad scientist- type by the early 1. After the Thin Man (1. Marie Antoinette (1. The Adventures of Sherlock Holmes (1. Moriarty), and The Hunchback of Notre Dame (1. Zucco was a favorite at PRC, where his other horror titles included The Mad Monster (1. Glenn Strange, The Black Raven (1. Fog Island (1. 94. The Flying Serpent (1. Producer: Sigmund Neufeld. Director: Sam Newfield. Screenplay: Fred Myton. Watch Dead Men Walk movie trailer and get the latest cast info, photos, movie review and more on TVGuide.com. Dead Men Walk 1943Cinematography: Jack Greenhalgh. Makeup: Harry Ross. Music: Leo Erdody. Film Editing: Holbrook N. Todd. Cast: George Zucco (Dr. Lloyd Clayton/Dr. Elwyn Clayton), Mary Carlisle (Gayle Clayton), Nedrick Young (Dr. David Bently), Dwight Frye (Zolarr), Fern Emmett (Kate), Robert Strange (Wilkins [Harper, in credits]), Hal Price (Sheriff), Sam Flint (Minister)BW- 6. John M. Miller VIEW TCMDb ENTRY. FIRE - WENN DIE LIEBE FEUER FäNGT watch free. Also known as: Fire; Fogo E Desejo; Fire – Wenn die Liebe Feuer fängt; Fuego (Fire); Tuli; Tűz;.Film Firequake: Die Erde fängt Feuer stream online in Deutsch und HD anschauen. 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Eli Roth's DEATH WISH is coming out the day before Thanksgiving. Horror Movies. Horror News;. Eli Roth / Bruce Willis Death Wish remake gets a Thanksgiving release. I’d totally forgotten about the upcoming Bruce Willis starring remake of Death Wish but it is apparently still a thing and I’ve actually heard good things about. The Death Wish franchise is an American action-crime-drama film series based on the 1972 novel by Brian Garfield. The films feature Paul Kersey, portrayed by Charles. Death Wish remake plans have moved back to the fast track thanks to the hiring of director Gerardo Naranjo, who will be replacing Joe Carnahan, Variety reported on. Death Wish (film) - Wikipedia. Death Wish is a 1. American vigilanteaction film loosely based on the 1. Brian Garfield. The film was directed by Michael Winner and stars Charles Bronson as Paul Kersey, a man who becomes a vigilante after his wife is murdered and his daughter is sexually assaulted during a home invasion. It was the first of a franchise, the Death Wish film series. At the time of release, the film was attacked by many film critics due to its support of vigilantism and advocating unlimited punishment of criminals.[4] The novel denounced vigilantism, whereas the film embraced the notion. Nevertheless, the film was a commercial success and resonated with the public in the United States, which was facing increasing crime rates during the 1. Paul Kersey (Charles Bronson) is an architect living in Manhattan with his wife Joanna (Hope Lange) and grown daughter Carol. The film begins with scenes of a recent vacation Paul and Joanna had taken to Hawaii. One day, Joanna and Carol are followed home from D'Agostino's by three thugs who invade the apartment by posing as deliverymen. They fatally injure Joanna and sexually assault Carol. After his wife's funeral in Connecticut during a snowstorm and shortly following his return to work, Paul has his first personal encounter with a mugger on a darkened street, foreshadowing his actions later on; a frightened Paul - - having armed himself with a makeshift blackjack consisting of two rolls of quarters in a sock - - manages to turn the tables on the surprised mugger, smashing the robber in the face with his improvised weapon and sending him fleeing, while he himself is both shaken and energized by the encounter. Paul's boss sends him on an extended "business vacation," and he flies to Tucson, Arizona to meet a client, Ames Jainchill (Stuart Margolin). While in Tucson to work on Jainchill's residential development project, Ames takes Paul to see a mock gunfight at Old Tucson, a reconstructed Western frontier town used as a movie set; in the end, justice prevails as the "desperadoes" all end up shot dead. A few days later while he is working late at Ames' office, Paul is invited to dinner by Ames at his gun club. At the gun club, Ames is impressed when Paul shoots with near perfect accuracy at the targets. Plot Summary: A remake of the 1974 revenge classic "Death Wish." Charles Bronson starred in the original 1974 film as a New York man who turns vigilante following the. Paul reveals that he was a conscientious objector during the Korean War who served as a combat medic. Paul had been taught to handle firearms at a young age by his father, who was a hunter, but after his father was killed in a hunting accident Paul decided to swear never to use guns again. After Paul makes improvements to Ames' plans for the development, a thoroughly pleased Ames drives Paul back to the Tucson airport, and presents Paul with a gift, which he places into Paul's checked luggage. Back in Manhattan, Paul learns from his son- in- law Jack (Steven Keats) that his daughter is severely depressed from the trauma of the assault. Paul visits his daughter, who is now catatonic, at the hospital. Heartbroken, Paul and his son- in- law have his daughter committed to a mental hospital on Long Island for intensive treatment. Later upon his return to Manhattan, he opens his suitcase and discovers that Ames' gift was a nickel- plated . Colt Police Positive revolver. He loads the revolver, places it into his overcoat, and takes a late night stroll. Paul encounters a mugger, an ex- convict named Thomas Leroy Marston, who attempts to rob him at gunpoint with a . Smith & Wesson Model 3. Paul then shoots Marston with the revolver Ames had given him. Shocked that he just killed a human being, Paul runs home and throws up. But motivated by his desire for revenge, he continues to walk the city streets at night looking for violent criminals. The following night, Paul again deliberately walks through the city in order to invite an attack. He guns down three muggers who are robbing a defenseless old man in an alley. A few nights later, two muggers see Paul on a subway. They attempt to rob him at knife- point but Paul shoots them both with his revolver. On another night, Paul sits as bait in a sleazy Times Square coffee shop surrounded by prostitutes and assorted street people. He pays his bill to the cashier, purposely revealing a wallet full of cash. He leaves followed by two thugs who have taken the bait. Yet again a robbery attempt is made. Paul shoots one but the other manages to stab him in his shoulder. As a wounded Paul stumbles off, the one who stabbed him runs away but he is mortally shot, later dying at a hospital. NYPD Lt. Frank Ochoa investigates the vigilante killings. His department narrows it down to a list to men who have had a family member recently killed by muggers and who are war veterans. The public, meanwhile, is happy that somebody is doing something about crime. Ochoa soon suspects Paul. He is about to make an arrest when the District Attorney intervenes and tells Ochoa to "let him loose" in another city instead. The D. A. and the Police Commissioner do not want the fact to get out that street crime in New York City has dropped dramatically since Paul became a vigilante. And they fear that if he isn't stopped the whole city will explode into anarchy. Ochoa doesn't like the idea, but relents. Ochoa says that he will try to "scare him off."Paul shoots two muggers on the stairs before being wounded by a third mugger with a M1. A1 pistol at a warehouse. His gun is discovered by a young patrolman, Jackson Reilly, who hands it to Ochoa, who tells him to forget that he ever saw it and additionally tells the press that the wounded Paul is just another mugging victim. Hospitalized, Paul is ordered by Ochoa to leave New York, permanently. Ochoa tells Paul to have his company transfer him to another city and, in exchange, Ochoa will dispose of Paul's revolver. As Ochoa walks out of Paul's hospital room, Paul replies, "By sundown?". Paul arrives in Chicago Union Station by train. Being greeted by a company representative, he notices a group of hoodlums harassing a young woman. He excuses himself and helps the woman. The hoodlums make obscene gestures, but Paul points his right hand like a gun and smiles, suggesting that his vigilantism will continue. Character actor Robert Miano had a minor role as a mugger in the film. Lawrence Hilton- Jacobs, who would later co- star on the highly successful TV show Welcome Back, Kotter, had an uncredited role as one of the Central Park muggers near the end of the film. It has been rumored that Denzel Washington made his screen debut as an uncredited alley mugger, but according to Washington himself, that is not true and that a thug (in a long shot) does appear to resemble him.[6] Actress Helen Martin, who had a minor role, subsequently appeared in the television sitcoms Good Times and 2. Sonia Manzano ('Maria' from Sesame Street), has an uncredited role as a supermarket checkout clerk. Christopher Guest makes one of his earliest film appearances as a young police officer who finds Kersey's gun. The film also marked Jeff Goldblum's screen debut, playing one of the "freaks" who assault Kersey's family early in the film, turning Kersey into a vigilante. Production[edit]The film was based on Brian Garfield's 1. In one incident, the purse of his wife was stolen; in another, his car was vandalized. His initial thought each time was that he could kill "the son of a bitch" responsible. He later considered that these were primitive thoughts, contemplated in an unguarded moment. He then considered the idea of writing a novel about a man who entered this way of thinking in a moment of rage and then never emerged from it.[7] The original novel received favorable reviews but was not a best seller. Garfield sold screen rights to both Death Wish and Relentless to the only film producers who approached him on the subject, Hal Landers and Bobby Roberts. He was offered the chance to write a screenplay adapting one of the two novels, and chose Relentless. He simply considered it the easier of the two to turn into a film.[7]Wendell Mayes was then hired to write the screenplay for Death Wish. He preserved the basic structure of the novel and much of the philosophical dialogue. It was his idea to turn police detective Frank Ochoa into a major character of the film.[7] His early drafts for the screenplay had different endings than the final one. In one, he followed an idea from Garfield. The vigilante confronts the three thugs who attacked his family and ends up dead at their hands. Ochoa discovers the dead man's weapon and considers following in his footsteps.[7] In another, the vigilante is wounded and rushed to a hospital. His fate is left ambiguous. Meanwhile, Ochoa has found the weapon and struggles with the decision to use it. His decision left unclear.[7]Originally, Sidney Lumet was to have directed Jack Lemmon as Paul and Henry Fonda as Ochoa.[8] Lumet bowed out of the film project to direct Serpico (1. Several were considered. United Artists eventually chose Michael Winner, due to his recent track record of gritty, violent action films. The examples of his work considered included The Mechanic (1. Scorpio (1. 97. 3), and The Stone Killer (1. The film was rejected by other studios because of its controversial subject matter, and the perceived difficulty of casting someone in the vigilante role. Winner attempted to recruit Bronson, but there were two problems for the actor. First, his agent Paul Kohner considered that the film carried a dangerous message. Second, at this point the screenplay followed the original novel in describing the vigilante as a meek accountant—hardly a suitable role for Bronson.[7]The film project was dropped by United Artists after budget constraints forced producers Hal Landers and Bobby Roberts to liquidate their rights. The original producers were replaced by Italian film mogul Dino De Laurentiis.[8] De Laurentiis convinced Charles Bluhdorn to bring the project to Paramount Pictures. |
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March 2019
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